It was immense and extremely complex in terms of architecture. The Knightship interior was one such virtual environment. We also revamped our destruction and simulation pipelines to create some of the most detailed destruction sequences in the company’s history.Īge of Extinction also features more fully CG sequences than in any Transformers film. Spaceships, cities, forests, bodies of water, buildings and everything in them had to be designed and built by the effects team to tell this larger than life story. From the Transformers themselves, to simple set extensions, to complete CG environments, the environment work was paramount to creating a believable world for our Transformers to exist. The film contains over 700 visual effects shots created by Industrial Light & Magic, in San Francisco and Singapore. The ILM crew played a pivotal role in defining and creating this highly designed world, producing a scope and scale suitable for a science fiction epic. The film, the most difficult and complicated so far, represented a new beginning for the franchise in virtually every way – new cast, new locations and a host of new characters to be realized by the visual effects team. Each film in the franchise has presented a series of challenges that eclipse those faced in the previous film by an order of magnitude and Age of Extinction is no different. From the invading alien race that threatens life on Earth as we know it, to the Autobots that rise up to protect humanity, the scope of the visual effects work for T ransformers: Age of Extinction was both wide-ranging and technically challenging.
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